Claremont Designs


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The Shop Has Moved (and a Shift to Lamps in Inventory)

It wasn’t quick and it wasn’t easy, but the Claremont Designs shop has made a 9 mile move. It seemed like it would be easy to move a 600 square foot shop… but 10 years of work (and sawdust), several pieces of equipment over 300 pounds, and a few projects that are perpetually WIP added to the complexity.

During the (extended) move time, the Etsy Shop has been on vacation mode. I’m sure Etsy has a better description, but it basically means my Etsy shop existed with nothing listed. It also means that all of my search rankings plummeted… After years of having several of pieces show up in the top 5 positions when people search for Edison Lamps, Claremont Designs is now not even in the top 50 (it’s probably worse than that, but I gave up on counting other listings before I found any of my lamps). Hopefully that will be fixed by the holiday season.

I haven’t made too much of a mess in the shop yet, so it’s still pretty clean. I’ve made 3 new lamps since the shop was setup, and I’m still happy with the level of cleanliness. Beyond being new and clean, the biggest improvement in the new shop is actually having some natural daylight and overhead lights that actually work. I hope that means that quality of furniture coming out of the shop will improve, but time will tell.

The other big change with the shop is that I’m going to transition away from only selling made to order lamps. I think that will improve options for both me and customers.

For me, I’m going to enjoy building furniture (and lamps) on my schedule rather than the (largely) unpredictable timing of lamp orders. I’m also going to start building lamps from wood that I think is interesting, as opposed to wood which is fairly generic. It might sound counterintuitive, but when building custom pieces it is not generally the best idea to use interesting wood. Interesting can refer to the color, the grain, the lack of uniformity, etc. The challenge when building custom pieces (when only interacting over Etsy and building to an aggressive timeline) is that it is usually safest to use lumber with consistent color and straight grain. Going forward, I’ll try to build more lamps that use “interesting” wood. We’ll see if customers want that… An example of one of the new lamps is the 3-bulb Ambrosia lamp below.

While I’m trying to do some more interesting wood choices, I also want to make sure that I build the lamps that customers have been expecting (and purchasing for the past few years). To start building up the inventory, I’ve built 2 single bulb lamps. One is in cherry and one in walnut. Over the years, walnut has by far been the most popular wood choice, but I like the cherry the best.

For customers they will get 2 big benefits. First, they will know exactly what they are buying. The pictures on the Etsy listings will now show them exactly what they are going to get. For customers that like the surprise, they can still order a “made to order” version of the lamp. But my primary reason for the made to order option is for customers that want to make some small changes to the lamps (e.g., different size, different finish, custom cords, etc.). The second big benefit for customers is that I can ship the lamps much quicker. I’ve listed the shipping times online at 3-5 days, but I’m hoping I can ship faster than that.

We’ll see how this all goes, but hopefully these changes will make the process better overall.


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Updating the Edison Lamp Prototype

It’s been a few weeks since I’ve updated this site with some Edison lamp photos.  It seems that the walnut lamps are the most popular.  In 2013, I’ve sold 21 lamps and 15 of those have been in walnut.  While I don’t list more walnut lamps than cherry on Etsy, it appears that their search algorithm favors that iteration of the lamp.  Perhaps that is the reason for the popularity of the walnut version.  Of course it’s possible that people just prefer the walnut look.

The original prototype I built was walnut.  Recently, I took it into the shop to update some of the hardware on the lamp.  I updated the switch to a dimmer switch and I swapped out the sockets to a new porcelain version.  The prototype also featured a few design elements that I ultimately changed.  The most obvious change is the shift from 4 tails (in the prototype) to 3 tails (on the current version).  I’ve also recessed the lamp box top a little lower on the current version.  Whereas the shift to fewer tails was purely for aesthetics (I think it looks nicer), the change in the lamp top makes the build process a little easier.

The first set of photos below, show the original prototype (which was just sold).  Below the 2 photos of the prototypes are photos of the new design.  The next lamp was built out of lacewood (and can be purchased from my etsy store if you are interested). The final lamp is built from walnut and was highlighted in an earlier post.

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Wrapping 8 Legs

A few posts ago, I showed some of the initial prep work to build some legs for a new entertainment stand.  The process started by dimensioning some wall studs and then laminating 2 studs together.  This formed the core of the legs that I was building.

The next step was to prep the walnut veneers that would wrap the legs.  There are 8 legs and 4 faces that need veneer – no need to veneer the tops or bottoms of the legs as neither would ever be seen.  So 8 legs times 4 faces equals 32 veneers needed.  Ideally I would get each leg’s 4 veneers out of the same board, but this isn’t always possible.  The process is involved, but fairly straightforward.  First a face and an edge of a piece of walnut is run over the jointer.  Next it’s over to the band saw.  The goal is to cut an extremely thin piece of walnut from the board (this will become the veneer).  The process of jointer and then band saw is repeated over and over until all 32 veneers are cut.  Unfortunately both faces of the veneer need to be smooth, and they aren’t smooth enough coming off of the band saw.  So the final step to prep the veneers involves a lot of sanding.  I use a wide belt sander (although I think a lot of people call them a drum sander) to smooth the faces and get the veneers to the final thickness.

Now with all of the pieces prepped, it’s time to start gluing on the veneers.  I first begin with the sides of the legs.  As you would imagine, it’s just gluing and clamping.  The veneers are oversized, so once the legs come out of the clamps, there is a need for some hand planing.  With the side veneers flush to the front and back of the leg cores, the front and back veneers can be applied. If you can’t tell by now, it’s a lot of work to build legs this way.  It would be a lot easier to just start with thick lumber and joint and plane it to dimension.  The challenge in that approach (and this specific situation) is that I wanted the walnut to match (in color) the rest of the walnut that would be used on the piece.  And I wanted strong, stable legs.

The photo below shows the top of a leg and one of many mortises.  By the time the piece is finished there will be 60 mortises cut.  Lots of work left to do, but finally making some real progress.

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New Lumber New Edison Lamp

I’ve been working off of the new stack of lumber for a couple of months now. It’s good lumber and I’m happy with the quality of the walnut, but it is definitely different than the last batch of walnut. Not better. Not worse. Just different.

I’ve recently started the 20th lamp of the year (technically it is the 21st since USPS lost one and I had to rebuild it). For those that are interested, this is the 14th out of walnut and the 5th that is of the 3 bulb variety (3 of those 5 have been in walnut). I love the look of walnut and it is my wood of choice, but I’m still surprised that I don’t sell more cherry and maple lamps at the Etsy storefront. I love them all, but sitting on my walnut table I have always found the contrasting maple to be the most striking look.

To “celebrate” the 20th lamp of the year, I’ve gone back to my old format of highlighting the build process of the lamp. To build a 3 bulb lamp I need to shoot for a piece that is 4/4 (this is woodworker talk for a board that is an inch thick; spoken “four quarter”) and at least 4 1/4 inches wide by about 47 inches long. In my last post I wrote about starting the build of leg blanks for a new custom piece. In selecting wood for that piece, I ended up with one extra board (shown in the first picture below). I didn’t end up using that board in that piece, because it had a pretty nasty little bow to it. If you look closely, you’ll see that it isn’t flat on the surface of my table saw.

Fortunately correcting that type of issue is pretty easy for this style build. I’m not going to go into every detail of how I correct the issue because there are numerous posts on this site that talk about the build process for an Edison lamp. Basically it involves cutting the board at a strategic location and then working the jointer, band saw and planer until I get the four boards shown in the second picture. One of the 4 boards there becomes scrap (or turned into coasters), but the rest are destined for dimensioning, time in the dovetail jig and then a pass through the router table. This results in the 5 boards shown in the final picture. From here it is a pretty straightforward build process. The next post related to this build will be for the final “glamour” shots.
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3 New Lamps Have Left DC

I’m still working to get this blog in sync with actual activity happening in the shop, and it is now close. The photos in this post show the last 3 lamps that have been shipped off to customers. Nothing too unique about these builds, other than one lamp was shipped off to Canada (little pricey and a lot of paperwork) and one of the walnut lamps was done in just boiled linseed oil (wanted a slightly different finish than normal). Currently in the shop are 2 more lamps (one in walnut and one I’m trying out of lacewood) and a bunch of walnut strips that I’m turning into cutting boards.

I’m guessing now that the next post won’t be that meaningful either. Hopefully by the end of October I’m back with posts that highlight the build process as much as the finished goods.

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Doubling Down on Edison Lamps

This update is coming from the Acela en route to NYC.  It’s been ages since I last posted a meaningful update to the blog, and trips like this are primarily to blame.  I targeted this update a few weeks back, but it’s not until today that I can make an entry.

The orders from Etsy still come in.  And when I’m lucky they come in at the same time, so I can be as efficient as possible with shop time.  In this case, I had two orders for 3 bulb lamps.  I thought that the build was going great.  I was so proud of my progress that I took the first photo below to show the nice looking grooves for the top panel in each piece.  From there I worked to get each lamp glued up.  What I didn’t mention, until now, is the process of cutting the dovetails.  It appears that I grabbed the wrong piece for my jig.  I’m guessing I grabbed a 9 degree instead of an 11 degree piece.  The result is that I have 2 lamp boxes that can’t be used.

So it was off to round 2 of the build.  Trust me that I was considerably more careful this time around.  Everything turned out as planned and I had 2 unfinished lamps; one in cherry and one in walnut.

In the spirit of doing everything a second time, I also decided to revisit the first lamp I ever built.  It was minor, but I must have been too aggressive with my sanding of the top front edge of the lamp.  The result was a little “dip” on the top.  Well that lamp was back in the shop to correct that mistake.  While I was tackling that issue, I decided it was time to upgrade the lamp to a full dimmer switch and some higher quality light sockets.  In the second picture below, the original prototype lamp is sitting on top of the new unfinished lamps.

So doubling down on Edison lamps…  lots of multiples this time (2 lamps, built them twice due to my error, and bringing the original prototype into the shop for a tune up).  Ultimately, the 2 unfinished lamps will be off to NYC and Canada; the improved prototype should be destined for Etsy.

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Fitting Non-Mortise Hinges to a Sideboard

I’m finally getting to some of the final steps of finishing off the sideboard base that has been occupying one of my workbenches for the better part of a year. In the previous post, I described how I wrapped the doors with a thin strip of walnut to improve the gap that surrounds the doors on either side of the buffet. The last challenging step in the build is to align the hinges. I almost always use non-mortise hinges, so the only real challenge is to locate the screw holes as perfectly as possible – easier said written than done. I start by installing the hinges to the base of the cabinet, and then I transfer reference marks to the door. The marks don’t go directly where I will drill a pilot hole, so it is a little more complex.

To start the process I locate the door in the opening, with the hinges completely open. I also make sure to use a spacer, so that there is a gap at the bottom of the door. I then “close” the hinges so they rest against the face of the door frame. From here, I mark the holes in the hinge. Next it is a lot of work with a square and a depth gauge. First I mark the top and bottom of the hole and then I transfer those reference marks to the side of the door. I then go back to the hinge and use a sliding depth gauge to determine the front and back reference mark for the hinge hole opening. Because the hinge allows for a little adjustment, I should be good as long as I get the pilot hole somewhere within the opening, but I take an extra step. I connect the corners and draw an X to locate the center of the hole. Ultimately this is where I will drill my pilot hole for the screw.

The photos below show all of the reference marks and the doors installed to make sure that no other adjustments are required. Next step is to finish the 220-grit sanding, break all of the sharp edges, install the knobs and pulls, and apply several finish coats of an oil urethane blend.

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Improving the Fit of a Cabinet Door

One of the first posts I ever made here was related to a sideboard that I was building. That was a little over a year ago. It’s still not done… It’s not complete for 2 reasons. First I have been busy with other projects and paying customers. Second, there are just a number of extremely frustrating components to this build. Many, many months ago I worked to stiffen up the cabinet. It was a minor fix, but frustrating to have to do. I’ve also spent countless hours perfecting the fit of the drawers. I’ve finally dialed all of that in and now the only thing left is the doors. The doors haven’t been easy. Slightly out of square openings (related to the earlier need to stiffen up the cabinet) led to a very difficult fit for the door. The challenge with doors is to get the proper gap all of the way around the door (this is even harder when the opening isn’t perfectly square).

After lots of hand planing and sanding, I had an even gap around the door. Unfortunately the gap was too large. Originally I considered rebuilding the door, but ultimately I decided to work with what I had (this piece is more of a prototype and learning experience than something I’m selling to a customer). To build up the width and height of the door, I have glued thin strips of walnut to the outside of the perimeter of the doors. To create the strips I took thin pieces of resawn walnut and passed them through my wide belt drum sander until each strip was less than 1/8″ thick.

The final pieces were glued on today. The picture below shows the final step in the glue up. The challenge with the doors, is that I like to cut the sides at a 5 degree angle (it helps in opening and closing the door). Cutting the angle isn’t hard, but clamping it up and keeping the glued on strip from slipping while maintaining enough clamping pressure and keeping the center panel from buckling was not easy. I’ll be curious to see how this dries up. Hopefully it comes out well; otherwise I will be building 2 new doors on the next trip to the shop.

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What Does Handmade Mean? Please Ask…

So I’m a little late in writing this post… I guess that “late” is a relative term. In one sense I meant to write this 2+ weeks ago when I took the photo below. At the same time, I think that the topic is more timely than ever. And timely in the sense that it won’t be answered here, tomorrow, or frankly anytime soon.

If it’s not clear to people that occasionally read my blog posts, I sell things on Etsy. I don’t sell everything on Etsy, but I do sell some items. And I definitely consider them “handmade.” Etsy marginally mentions the term handmade on their site, but I would guess that in the consumers’ mind, the term “handmade” is much more prevalent. That’s okay; I’m not trying to say it is bad…

But it is a different context than I think some people consider… For me “handmade” has meant many things. In some case it might mean literally that it was built by hand. Or should it mean that it was created with tools that require no power? Or maybe somewhere in between as long as there was a human touch at some point? For some people, handmade means that there are flaws that should be excused… This is where I’m most conflicted… When you are dealing with real world supplies, there are defects. You may want it to be 100% perfect, and that is possible…

But frankly if you are building to enough scale that you can’t reach out to customers to ask if you like a certain look to a piece of wood or not, that means you are not handmade…

I don’t mean this in a negative way. I mean this in a descriptive way. Many of the designers that I admire don’t adhere to this mindset, and I don’t ascribe any lesser value to their designs. But I do assume that there wasn’t a human helping to guide every crucial design decision…

So there is my long convoluted description of what handmade means to me… it only took 4 “paragraphs” and I don’t pretend that it is crystal clear as a result… My only request is that if it means something to you as a buyer, please ask the people you are buying from what “handmade” means to them… In some cases you will be more than willing to do business with them. In other cases, the exact opposite holds true…

Anyway back to me (because everything must eventually come back to me)… The photo below is for an end table that I’m building. It is essentially, 3 through dovetail boxes with a floating top. The photo shows one of the last steps in the process… before this step I cut and joined the 3 through dovetail boxes shown in the picture. Although, the boxes were made with same jigs and lumber of the same dimension, they were not identical within 1/16 of an inch…

What’s happening in the photo, is that I’m clamping the three boxes together so that I can ease the transition from one piece to the other… It was definitely a handmade piece (in my terminology). Each piece wouldn’t be perfectly identical… In fact I would eventually round over the corners of each piece, so they couldn’t match perfectly. For me exact duplication, would mean that it was machine made. But if near duplication might mean that it was made by hand and matched to the clients’ needs… That’s what I was doing here… Ultimately, I sanded all of the joints of the boxes flush in the photos. That doesn’t mean that I did everything by hand, but it does mean that I was there with tools controlled by hand that did not depend on mechanical accuracy to get the final look.

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4 New Edison Lamps Have Landed at Etsy

I don’t usually do posts that are straight up advertisements that say “please buy me” but I figured adding one of that type isn’t that big of a deal… I’ve enjoyed building the dovetailed boxes that are used in the Edison Lamps that I make, but I wanted to start making some that are “ready to ship” rather than “made to order”.

I just finished an additional 4 lamps that have been posted to Etsy. 2 are made from curly maple. The other 2 are from walnut. Both of the walnut lamps are a new design. These are the first that have featured just 2 light bulbs. They are slightly different widths as I’m trying to figure out the best spacing for a 2 bulb design. I like both of these, but I’m not positive I’ve nailed the ideal proportions yet.

The other reason I wanted to make these “ready to ship” is that it gives me a chance to use lumber I like, but might not appeal to people generally. The best example of this is the wider 2 bulb walnut lamp. The lamp base has a significant change in the color of the walnut – shifting from a dark brown to a much lighter brown (almost yellow) color at the top. I could never sell that to a customer without them seeing it first. I love the look, but I know that it’s not for everyone.

Bunch of pictures below. You can find the lamps listed here.

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